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Created page with "{{Portal:Music/Top designed frame|<big>Rebbes of Chabad Portal</big>|{{FULLPAGENAME}}/Introduction}} {{{{FULLPAGENAME}}/Introduction}} {{Portal:Music/Bottom desiged frame}} {{Portal:Music/Top designed frame|<big>The Alter Rebbe</big>|{{FULLPAGENAME}}/The Alter Rebbe}} {{{{FULLPAGENAME}}/The Alter Rebbe}} {{{S}}} {{Portal:Music/Bottom desiged frame}} {{Portal:Music/Top designed frame|<big>The Mitteler Rebbe</big>|{{FULLPAGENAME}}/The Mitteler Rebbe}} {{{{FULLPAGENAME}}/..."
 
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{{Portal:Music/Top designed frame|<big>The Tzemach Tzedek</big>|{{FULLPAGENAME}}/The Tzemach Tzedek}}
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{{Portal:Music/Top designed frame|<big>The Rebbe Maharash</big>|{{FULLPAGENAME}}/The Rebbe Maharash}}
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{{Portal:Music/Top designed frame|<big>The Rebbe Rashab</big>|{{FULLPAGENAME}}/The Rebbe Rashab}}
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{{Portal:Music/Top designed frame|<big>The Rebbe Rayatz</big>|{{FULLPAGENAME}}/The Rebbe Rayatz}}
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{{Portal:Music/Top designed frame|<big>The Rebbe</big>|{{FULLPAGENAME}}/The Rebbe}}
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[[Category:Portals|Music]]


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Revision as of 10:28, 5 August 2025


Portal:Music
Portal:Music

A niggun is a Chassidic melody, usually wordless, that holds a central place in the Chassidic tradition. Chabad niggunim (plural) are composed either by various Chassidim or, in some cases, by the Rebbeim themselves. In Chassidic life, the niggun is more than just a song; it is a powerful tool in one’s divine service, serving as a path to elevated consciousness and inner transformation. The significance of the Nigun is highlighted by the teaching of the Alter Rebbe that “If words are the pen of the heart, then music is the pen of the soul” As such, there are many varieties of Niggunim,each reflecting a different emotional state in one’s service of G-d. Chabad niggunim are characterized by their measured tempo, elongated movements, and rich inflections. These musical elements are intended to express deep contemplation and inner emotional awakening. Chabad niggunim are considered unique, even in comparison to other forms of Chassidic music. There are 346 officially recognized Chabad niggunim, along with approximately 300 additional unofficial ones. These niggunim are generally wordless, as they are viewed as expressions of spiritual and emotional states that go beyond what can be conveyed through language. In Chabad thought, melody is seen as operating on a higher level than speech, capable of expressing what words cannot. As a result, most Chabad niggunim do not contain lyrics. During prayer, a Chassid often engages in deep reflection on G-dliness, based on the teachings of Chabad Chassidus. When a concept is fully internalized, it may stir an emotional reaction. The Chassid becomes aware of his spiritual state and develops a yearning to draw closer to holiness. This emotional experience can lead to the spontaneous expression of a melody, either quietly and inwardly or with greater intensity and passion. The purpose of this musical expression is to transcend the material and reach for a higher spiritual existence.